Ryunosuke Kamiki Net Worth 2026: Estimated Wealth & Income

Ryunosuke Kamiki's net worth is estimated at between USD 3 million and USD 12 million (roughly JPY 450 million to JPY 1.8 billion) as of August 2026. That wide range reflects the reality of Japan's entertainment industry: per-project fees are almost never publicly disclosed, so any figure you see online, including this one, is a reasoned estimate rather than a verified total. For comparison, other Japanese talent profiles (for example, Shunsaku Sagami net worth estimates) illustrate similar uncertainty because talent contracts and exact fees are typically private. What is clear is that Kamiki has been a working professional actor and voice actor since early childhood, has appeared in some of the highest-grossing Japanese films of the past decade, and now co-owns a piece of the company that manages his career. Those are the pillars that shape his financial profile.

Quick Net Worth Snapshot

A few important caveats before digging in: no agency press release, corporate filing, or credible trade publication has ever printed Kamiki's annual income or personal asset total. Japanese talent contracts are private by convention, and even major talent agencies do not file artist-level financials with public regulators. CareerBoost notes that entertainers' fees are typically not publicly disclosed and that published year/fee figures are often estimates rather than verifiable records blank" rel="noopener noreferrer">CareerBoost (analysis explaining that entertainers' fees are typically non‑public and year/fee figures are often estimates). The range above is constructed from verified career credits, publicly reported box-office data, known commercial endorsements, and industry proxies for talent fee structures. Treat it as an informed estimate, not a definitive figure. For context, see the Shunsaku Tamiya net worth profile for another Japanese entertainment figure.

The Main Drivers of Kamiki's Wealth

Three decades of continuous, high-profile work is the foundation. Kamiki started acting as a child, which means he has had longer than almost any Japanese actor his age to accumulate earnings, build a professional reputation, and diversify his income. His wealth profile today rests on four concrete pillars: acting fees from film and television (by far the largest single source), voice-acting income from animated features, endorsement and commercial work, and, since 2021, potential upside from his co-ownership stake in Co-LaVo.

Earnings Breakdown by Source

Acting Fees (Film and Television)

Live-action acting is almost certainly Kamiki's largest single revenue stream. Japanese A-list actors in major studio productions typically earn between JPY 5 million and JPY 50 million per project depending on role size, production budget, and negotiating leverage. By the mid-2010s Kamiki had accumulated enough credits and recognition to command fees toward the higher end of that scale for lead and prominent supporting roles. His lead role in NHK's morning drama 'Ranman' (らんまん, 2023), one of Japan's most-watched daily serial slots with a national audience, would represent a multi-month engagement with ongoing residual and rebroadcast value. NHK drama leads typically receive per-episode fees plus a lump-sum arrangement; for a 130-episode run like Ranman, cumulative earnings from this single project alone are meaningfully significant. These are estimates based on industry norms, not confirmed figures.

Voice-Over and Animated Feature Work

Kamiki voiced Taki Tachibana in Makoto Shinkai's Your Name (君の名は。, 2016), one of the most commercially successful anime films in history. Ryunosuke Kamiki voiced the male lead Taki Tachibana in Makoto Shinkai's Your Name (君の名は。, 2016) YOUR NAME (BFI — cast listing showing Ryunosuke Kamiki as Taki Tachibana). The film earned approximately ¥25 billion domestically and around USD 358 million worldwide. While Japanese studios do not publicly break out voice actor fees, a lead voice role in a production of this scale, combined with international licensing, re-releases, and home media, almost certainly generated residual income well beyond the original recording session. Kamiki also won Best Actor at the 11th Seiyu Awards for this role, which elevated his market rate for future voice projects. Voice-over work in Japan is generally less lucrative per project than live-action film, but for globally distributed features it can carry meaningful backend and licensing value.

Commercial Endorsements and Brand Campaigns

Kamiki has been a documented brand talent for multiple Japanese companies. A 2018 PR release from Ezaki Glico's HOBAL campaign names him as the on-screen talent, which is one of the few publicly verifiable endorsement records available. Television commercial contracts for actors at Kamiki's profile level in Japan typically range from JPY 10 million to JPY 50 million per annual contract depending on exclusivity and usage. Multiple simultaneous contracts are common for actors of his standing. This category is a reliable, recurring income source and likely represents a significant share of his annual earnings, though the total number of active contracts at any given time is not publicly confirmed.

Royalties and Residuals

Residual income from legacy projects, particularly Your Name given its ongoing international distribution, home media sales, and streaming licensing, continues to flow. In Japan, residual structures for actors differ from the SAG-AFTRA model, and the amounts are generally smaller, but for a film with Your Name's global footprint the cumulative figure over ten years is non-trivial. Godzilla Minus One (2023), in which Kamiki plays a principal role, posted a strong worldwide gross and earned particular attention in North American markets, which could expand the residual pool for that title as well.

Business and Investment Income via Co-LaVo

This is the most structurally interesting part of Kamiki's financial profile. In April 2021 he left Amuse, one of Japan's largest talent agencies, to join Co-LaVo, a new company co-founded with actor Takeru Satoh and the band ONE OK ROCK, with Amuse retaining an investor stake. Co-LaVo is a registered Japanese corporation. Its public-facing activities include talent management, official merchandise, live events, and a company-run YouTube channel. As a founding stakeholder rather than simply a contracted talent, Kamiki likely holds an equity position in Co-LaVo, meaning his income from the company includes a potential share of profits beyond a standard management-fee arrangement. The precise ownership structure is not publicly disclosed. If the company grows and either generates consistent profits or is eventually acquired, this stake could represent the most significant single wealth-building event of his career. For a comparison of a similar Japanese actor's financial profile, see Shunsuke Nakashige net worth.

Career Timeline: Projects and Income Milestones

1. Late 1990s–early 2000s (childhood): Kamiki begins acting as a child performer, establishing early industry relationships and SAG-equivalent union credits in Japan. Child actor fees are modest but his consistent presence builds long-term career equity.
2. 2000s (child and teen roles): Continued film and television appearances build his resume through one of Japanese entertainment's most demanding developmental periods. Each credit adds to his residual and recognition base.
3. 2014: Appears in Rurouni Kenshin: Kyoto Inferno (an ensemble production that earned approximately ¥5.2 billion domestically), raising his profile in high-grossing franchise filmmaking.
4. 2016: Voices Taki in Your Name (君の名は。), which earns ¥25 billion in Japan and roughly USD 358 million worldwide. Wins Best Actor at the 11th Seiyu Awards. This single project almost certainly represents the most commercially impactful work of his career to date.
5. Late 2010s: Documents commercial endorsements including Glico's HOBAL campaign (2018), signaling his bankability as a brand face beyond acting credits.
6. April 2021: Transitions from Amuse to Co-LaVo, shifting from pure talent to talent-plus-stakeholder. This is a structural wealth milestone because it changes the nature of his income relationship with his management company.
7. April 2023: Leads NHK's Ranman (らんまん), a nationally broadcast morning drama. A lead role in this slot is one of the highest-visibility assignments in Japanese television, with direct upside for endorsement market rate.
8. 2023: Appears in principal cast of Godzilla Minus One, which achieves a notable worldwide box-office result and receives extensive international trade coverage, further expanding his global name recognition.

Notable Projects: Box-Office and Performance Metrics

It is worth noting that Godzilla Minus One's international performance introduced Kamiki to a substantially broader global audience than most Japanese actors reach, which has the potential to raise his future asking price for international co-productions and global brand campaigns going forward.

Publicly Known Assets and Liabilities

This section is intentionally short because the verifiable list is short. Japanese celebrities rarely make public statements about personal real estate, vehicles, or investment portfolios, and Kamiki is no exception. No credible sourced reporting has confirmed specific property holdings, vehicle ownership, or personal debt for him. The one verifiable structural asset is his affiliation and likely equity stake in Co-LaVo, which is a registered Japanese corporation with public business activities. Beyond that, any specific claims about apartments, cars, or investment accounts circulating online are unconfirmed and are not repeated here. If you see a specific property address or exact asset value attributed to Kamiki on another site, treat it with skepticism unless it links to a primary source.

How His Cultural Standing Shaped His Earning Trajectory

Kamiki occupies an unusual position in Japanese entertainment: he is one of the very few actors who built a serious adult career after starting as a child star, without the public stumbles that derail many child performers. That continuity matters financially because it means his market rate has been compounding for decades rather than starting fresh after a career break. By the time Your Name arrived in 2016, he was already a known quantity to casting directors, brands, and production committees, which likely accelerated how quickly he converted that film's success into higher fees and new contract opportunities.

The Ranman casting in 2023 tells you something important about how the Japanese television industry values him. The NHK morning drama slot (朝ドラ) is not just high-viewership television. It is a cultural institution in Japan, watched by an unusually broad demographic cross-section. Actors who carry this slot successfully tend to see a step-change in their commercial endorsement market rate because brands want association with that mainstream, trusted cultural identity. For Kamiki, following Ranman with his role in Godzilla Minus One, a film that genuinely broke through internationally, created a rare combination: deep domestic credibility plus emerging international visibility. That combination is genuinely rare among Japanese actors and has real financial implications for future projects.

In comparison to peers like Shun Oguri, who built a parallel career path through drama, film, and commercial work over a similar timeframe, Kamiki's profile is broadly comparable in terms of industry standing, though Oguri's earlier crossover into directing and production adds a different dimension to his wealth profile. For comparison to other contemporary Japanese actors, see a profile on Junta Nakai net worth for another example of how peer wealth is estimated and reported. For a contrasting example from the tech world, see shunpei yamazaki net worth. The Co-LaVo transition is Kamiki's structural equivalent: both actors have moved beyond pure talent relationships toward models that include some ownership or creative control.

Methodology and Accuracy Limits

The estimate on this page was built in four steps. First, all verified revenue sources were cataloged: confirmed acting credits with known box-office performance, documented commercial endorsements, his Co-LaVo affiliation, and his voice-acting work. Second, publicly available industry proxies for Japanese talent fee ranges were applied to each category. Third, standard deductions were factored in: Japanese talent management splits (typically 20 to 30 percent), Japan's progressive income tax (which reaches 45 percent at the highest bracket, plus a 10 percent inhabitant tax), and living costs associated with maintaining a professional career in Tokyo. Fourth, a wide range was reported rather than a single number, because the absence of any primary financial disclosure means the margin of error on any single figure is very large, potentially 50 to 100 percent in either direction.

What this estimate cannot account for: any personal investments in real estate or securities, any private business income unconnected to entertainment, the precise terms of the Co-LaVo equity arrangement, or any significant one-time financial events (inheritances, asset sales, litigation settlements). If any of those factors apply, the actual figure could sit meaningfully outside this range in either direction.

Why Estimates Like This One Matter (and Their Limits)

Net worth profiles for Japanese entertainers serve a legitimate purpose beyond pure curiosity. They help contextualize how creative labor is compensated in one of the world's largest entertainment markets, and they illustrate how structural decisions like moving from a large agency to a founder equity model can shift a creative professional's long-term financial trajectory. Kamiki's story, built on decades of consistent work rather than a single breakout moment, is actually more representative of how wealth accumulates in the Japanese entertainment industry than the rags-to-riches narratives that tend to dominate click-driven coverage. The numbers here are estimates, but the career pattern they reflect is real and verifiable.